![]() ![]() Although it lost the sequencer audio tracks, digital input and output, but these options were rarely installed in Trinity, so KORG did the right thing dumping them. All this essentially made Triton a best selling synth of 2000s (its successors M3/M50 are essentially an improved Triton with better UI and more wave ROM). But what made Triton a killer were dual polyphonic arpeggiators! Good number of Triton factory preloaded sounds use these arpeggiators and are simply impossible without them. ![]() The biggest improvement of Triton was the sound: new multisample and better processing, combined with five insert effects per program. The original Triton introduced many improvements over the Trinity, like 62-note polyphony, arpeggiator, onboard sampler, faster operating system, category search (ability to browse through related groups of sounds like pianos, brass, strings, etc.) and more realtime controllers. The Triton "Classic" followed the Trinity's naming conventions of the Pro and Pro X being designated to models featuring 76 and 88 keys respectively (that naming system actually started with previous 01/w series, also available with 61 keys (base and -FD models), 76 (01/wPro) and 88 (01/wProX). The two ranges are aesthetically and functionally very similar. ![]() The Korg Triton line is considered the direct descendant of the earlier Korg Trinity line of workstations. ![]()
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